Fuck
There are people who will tell you
that using the word fuck in a poem
indicates a serious lapse
of taste, or imagination,
or both. It's vulgar,
indecorous, an obscenity
that crashes down like an anvil
falling through a skylight
to land on a restaurant table,
on the white linen, the cut-glass vase of lilacs.
But if you were sitting
over coffee when the metal
hit your saucer like a missile,
wouldn't that be the first thing
you'd say? Wouldn't you leap back
shouting, or at least thinking it,
over and over, bell-note riotously clanging
in the church of your brain
while the solicitous waiter
led you away, wouldn't you prop
your shaking elbows on the bar
and order your first drink in months,
telling yourself you were lucky
to be alive? And if you wouldn't
say anything but Mercy or Oh my
or Land sakes, well then
I don't want to know you anyway
and I don't give a fuck what you think
of my poem. The world is divided
into those whose opinions matter
and those who will never have
a clue, and if you knew
which one you were I could talk
to you, and tell you that sometimes
there's only one word that means
what you need it to mean, the way
there's only one person
when you first fall in love,
or one infant's cry that calls forth
the burning milk, one name
that you pray to when prayer
is what's left to you. I'm saying
in the beginning was the word
and it was good, it meant one human
entering another and it's still
what I love, the word made
flesh. Fuck me, I say to the one
whose lovely body I want close,
and as we fuck I know it's holy,
a psalm, a hymn, a hammer
ringing down on an anvil,
forging a whole new world.
Here's some more info should you fancy a book shopping spree:
Addonizio's first novel, Little Beauties, was published by Simon & Schuster in 2005. Her second book entitled My Dreams are Out on the Street was released in July 2007. She is also the author of four collections of poetry: What is this Thing Called Love (Norton, 2004), Tell MeJimmy & Rita (BOA Editions, 1997), and The Philosopher's Club (BOA Editions, 1994). With Dorianne Laux, she is the co-author of The Poet's Companion: A Guide to the Pleasures of Writing Poetry (1997). A new craft book, Ordinary Genius, was released by W.W. Norton in 2009. (BOA Editions, 2000),
Her poem, "Verities", originally published in Poetry magazine, was included in The Best American Poetry 2006, guest edited by Billy Collins. Among her awards are a Pushcart Prize, a 2000 National Book Award nomination for her third book of poetry entitled Tell Me, a fellowship from the National Endowment for the Arts, and a 2005 Guggenheim Fellowship.
I like her article in Poetry Daily, 'How to Succeed in Po Biz'; here's her intro to the step by step guide I will be following:Many writers harbor the desire to become successful poets and rise to the top of their profession. To see one's name on the cover of a slender paperback, to have tens and perhaps even hundreds of readers, to ascend to a lecture podium in a modest-sized auditorium after being introduced by the less successful poet who has been introduced in turn by an earnest graduate student unsure of the pronunciation of your name—these are heady rewards. Beyond these lie the true grail: generous grants, an endowed chair at a university, the big money that will allow you to write and remodel your kitchen, while freeing you from reading the incoherent ramblings of inferior wannabes. How can you realize your dreams? Follow this step-by-step advice.
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